Who is this Raver Girl?

And other burning questions.

The Tattooed Poets Project: Mike Sikkema's Tattoo Blends Natural with Mechanical

Today's tattooed poet is Mike Sikkema, a friend of Gina Myers (whose tattoo appeared here), who sent him my way. His piece is not fully completed, but it is still completely interesting:


















Mike explains the piece:

Eva Huber began my birds at Divine Machine Tattoo in Buffalo, NY, in the fall of 2008. The combination of real and chrome apples, of real and mechanical birds points at where we’re at: the age of remote controlled spy beetles and “vegetarian” meat made from cloned cells.

The apples and particular types of birds also point to my birthplace, northern Michigan. Another fully robotic bird, as well as a musical staff are on the way.

On a side note, Eva Huber appears to now be tattooing at Off the Map Tattoo in Easthampton, Massachusetts.

Mike didn't mention this, but the but his mechanical bird reminded me a lot of Haruki Murakami's wonderful novel The Wind-up Bird Chronicle.


Thanks to Mike for sharing his tattoo with us here on Tattoosday. Please head over to BillyBlog to read one of his poems.

The Tattooed Poets Project: Rebecca Loudon's Bee Tattoo

The following tattoo was submitted by the poet Rebecca Loudon:

The tattoo was inspired by her favorite poem, "The Lake Isle of Innisfree" by William Butler Yeats:

The Lake Isle of Innisfree

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean rows will I have there, a hive for the honeybee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a-glimmer, and noon a purple glow,
And evening full of the linnet's wings.

I will arise and go now, for always night and day
I hear the water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements gray,
I hear it in the deep heart's core.

Rebecca adds that she will include the last two lines of the first stanza will be added "one of these days". The tattoo is on her right calf.

Rebecca added:

This tattoo was done by Tracy Zumwalt in Seattle, in December of 2008, shortly after my book Cadaver Dogs was published. Tracy used to work at Anchor Tattoo in Seattle, but now works privately by appointment only.

I have other tattoos, but I had been talking about the bee tattoo for 20 years. I was waiting for something, something to celebrated, something to mark. Bees have always been my totem animal and they are prominent in all my writing. Once the book was complete, I knew it was time. I wanted the tattoo to be a scientific rendering but I let Tracy do the artwork. The bee is on the outside of my right calf. The photo isn’t very good because it isn’t really a photo. I just put my leg on my scanner because I don’t own a camera. You can still see Tracy’s fine work in the scan though."

Rebecca Loudon lives and writes in Seattle. She is the author of 4 books of poetry, the latest being Cadaver Dogs from No Tell Books, several lyrics for songs for chamber orchestra and choir, and the libretto of a full length opera, Red Queen. She is a professional violinist and teaches violin to children. She has more than 6 and less than 10 tattoos. She practices writing at http://radishking.blogspot.com/

Head over to BillyBlog to read one of her poems.

Thanks to Rebecca for her participation in the Tattooed Poet's Project!

A Bonus: click here to listen to William Butler Yeats reading the poem that inspired this tattoo!

Some Amazing UV Reactive Animal Tattoos

Many thanks to tattooartists.org. Many talented people over there, check out their site.

About Blacklight Ink

There are a lot of questions about black light tattoos posted in the comments. I thought I would take a minute to address some of them.

The most widely used UV reactive ink is Chameleon Ink which has a few special qualities. The black light reactive dye is encased in polymer microbeads which are suspended in sterile, distilled water. The same polymer that is used to make these microscopic beads has been used in dental prostheses, bone repair, eye lenses, orthopedics and in pacemakers and is better known as Lucite. These microspheres are 4-5 times the size of a red blood cell and are well tolerated by human tissue (no rejection). This means that the dye used never actually comes in contact with your system, but is safely inside the polymer microbeads. This is the same ink that has been used for decades to track fish and wildlife and is approved by the FDA (as far as I know, no other tattoo ink has FDA approval). (Read more about this technology here!)



Blacklight reactive ink comes in a wide range of colors, most of which are visible under normal light. UV inks are not quite as bright as normal inks under regular light. For an "invisible" tattoo, it must be done in white ink on light skin. Some scarring may occur because of the tattoo process that leaves the tattoo still visible under normal light. The Chameleon UV inks are water-based and blend differently than normal tattoo inks. Therefore, UV tattooing should only be done by experience professionals.

Can anyone vouch for any other brands of blacklight reactive ink? I've also heard of Skin Candy Black Light tattoo ink, but don't know how its made/what's in it. As far as I can tell, Chameleon ink is safe and lasts.

The Tattooed Poets Project: Malaika King Albrecht Shares Her "Unambitious," Yet Meaningful, Tattoo

Today's tattoo was submitted by Malaika King Albrecht:


I contacted Malaika on Facebook when I saw her profile photo, and that she had a visible tattoo. She was kind enough to not only accept my friend request, but also to submit the photo above, along with one of her poems, over on BillyBlog.

Malaika filled me in on this piece:

I may have gotten this tattoo, my second one, at Shaw’s [Tattoo Studio] where I got my first tattoo. I was probably on Westheimer Blvd., was definitely in Houston sometime in the mid-80’s and was most likely in the good company of a guy named Nicki Sicki. The image is of a person meditating with wings and a heart, and is borrowed from Ram Dass’ book Be Here Now. The sideways 8 represents sitting in lotus position and is also the symbol of infinity. Though the heart has lost its red color, and the tattoo is an admittedly unambitious one, the image still resonates with me.

I love Malaika's modesty about the tattoo. Admittedly, it is not "spectacular," but tattoos do not have to be huge, multi-colored affairs in order to have significance for those that have them.

Thanks to Malaika for sharing her tattoo with us here on Tattoosday!

Please visit BillyBlog to read one of her poems here.

The Tattooed Poets Project: Jackie Sheeler's Swirling Tribal Tattoos

Today's tattooed poet is Jackie Sheeler. The photos she sent me were taken by one of her friend's daughters, who utilized Jackie as one of her subjects in a photography project about tattooed New Yorkers.

Jackie explains:

"I have just two pieces, if by “piece” you mean connected & thematic. I didn’t get them all at once, though.

The big one on my left shoulder was done all at once by an artist named Carlos Alfonso at the 23rd street tattoo shop [Rising Dragon Tattoos]. I told him I wanted a “wing”, and pointed out about half a dozen pieces of flash that were kinda-sorta but not quite what I wanted. he told me to come back in a week, and he had created the amazing design that you see.






The tattoo on the right has come about in stages.


The first bit is the somewhat intricate tribal abstraction on the top back of the shoulder. I got that one around 1993, when tribal was just starting to become popular, and it’s a funny story.

I went to an illegal flash parlor in Brooklyn [tattooing in New York City was illegal until 1997], a basement filled with all guys except for me, and just one artist, a big old guy named Tony, who looked like somebody you’d meet on The Jackie Gleason Show. I had a copy of a tribal piece that I’d Xeroxed out of a tattoo magazine, and I told him I wanted that only bigger. He seemed pretty shocked – “you want THAT?” – and said sure he’d do it for $60, which was a lot cheaper than I’d expected. He ran it through that mimeo machine or whatever it is that they use, enlarged it and stenciled it onto me...

...But then I had to wait. Why? Because a drug dealer came in with his falling-down drunk girlfriend, gold teeth, handfuls of cash, and a gun pretty obviously stuck in his waistband, and needed immediate service. His girlfriend was getting a tattoo “for him." He picked out the flash – a big, ugly bulldog, snarling and all – and had Tony put it on the girl’s abdomen. It was pretty horrible. She was gorgeous, and I knew how she was going to feel when she woke up with a hangover and THAT on her belly. Anyway, my turn was next and tony got the piece done in like half an hour.

I didn’t get another tattoo for 9 years, which is when I got the big one that Carlos did on my left shoulder.


I went back to Carlos (by then he was working at MacDougal Street Tattoo Company [since closed] ... in 2004 and got my “wing and a prayer” tattoo, which is the feathery wing with a peace sign emerging from it that’s just above the crook of my arm. I actually got this piece on July 6, which is George Fucking Bush’s birthday, and I got it in honor of him being about to be thrown out of the White House. (My band also released a single related to that, so it was a big thing for me – though obviously things didn’t turn out the way we’d hoped!) That piece was a standalone for a while, then I went back and asked Carlos to do a few more curlicues up my arm to attach it to the tribal on my shoulder, which he did.

Two years after that, I went back to MacDougal tattoo to get the curlicues extended down to my left wrist, and asked for Carlos. They said he was “no longer practicing” but it was a very strange moment, and the two people at the counter had these looks on their faces. By that time I’d gotten to know Carlos a bit. He was always having girlfriend problems and talking about moving back to Florida, so I asked if he had done that. So sad. No, he had committed suicide a couple months before. He was only 31.

It was very strange for me, all of a sudden my art seemed different. I felt like I was wearing his suicide note, in a way. But that (rather absurd) feeling passed, and I went back to MacDougal in a couple of weeks and had Carlos’ friend, Patrick Conlon, put on the curlicues in Carlos’ style. That session was like in honor and memory of Carlos, and we talked fondly about him while Patrick worked."

Thanks to Jackie Sheeler for sharing her detailed recollections of her tattoo stories.

Please be sure to head over to BillyBlog to read one of her poems here.

You can also read her blog, Get Angry With Me, here, or visit her band, Talk Engine, on MySpace Music here.